Sascha Illyvich

 
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By Jean Marie Stine: Publisher of Renaissance E-books and Sizzler Editions

In January 2010 Amazon.com announced that, for the first time ever, ebooks had outsold print books during the previous December.

It was an epochal announcement. It was not only a first for Amazon, it was a first ever for the entire publishing industry. The long-heralded era of the ebook had finally arrived.

Although print books continued to outsell electronic books over all, the tide was clearly turning. Meanwhile, sales of ebooks were booming at Sony’s own ebook store, as were sales at B&N’s new ebook store.

These sales were fueled largely by the availability of a new generation of ebook reading devices that could wirelessly download books from ebook stores, and several of which, notably Sony’s newest iteration and the new Nook from Barnes & Nobel, were multiplatform, capable of reading ebooks in a variety of formats.

Amazon claimed to have sold 200,000 units of the Kindle well before the holiday shopping season, while Sony reports having sold over 300,000 of their ebook reading device, and B&N recently said that the Nook was the single bestselling item at their site over the holiday shopping season. Between these three companies, then, about one million or more ebook reading devices will have been sold to readers by the end of 2010.

Meanwhile all kinds of apps for buying and reading ebooks on “smartphones” – as well as laptops, ipods, various palm held devices, and the newly emerging tablet-sized computers – are turning almost any portable device that will read or transmit any kind of digital data into an ebook reading device.

That means there are many times more ebook reading devices and people reading them than ever before, and ebooks have a growing market that should continue expanding for years to come.

Again, that market is still tiny compared to print books. 3000 to 5000 copies is a big initial sale for an $8.99 ebook (unless by Dan Brown or some other giant of the print bestseller lists) while the initial sale of, say, an $8.99 paperback is more like 60,000 to 100,000 copies.

As I know from talking to writers at various conferences, writers of popular ebooks in popular categories, especially if prolific and capable of writing a new book every month or two, can earn $30-40,000 per year. Some even more.

What are the most popular, bestselling ebook categories? In no particular order: Business/Self-improvement, science fiction/fantasy, romance, and erotica. Everything else is distant second.

Of these, erotica is unique in a very important way. You can go into a bookstore and buy business/self-improvement, romance, and science fiction. But you can’t go into 90% of all bookstores and buy erotica.

Why is another whole magilla we don’t have time to go into deeply. In part, it has to do with the vulnerability of chain stores (which are 90% of the market) to pressure from conservatives and religious groups. Which means chains aren’t going to carry erotica in the south, certain Western states, and any moderate-sized towns in any state with a conservative slant. That severely limits the bookstores chains can carry erotica in to all but the biggest and most cosmopolitan cities and some decidedly liberal college towns. Considering the logistical nightmare of having a category of books that can only be shipped to a few stores, and worries about such a book accidentally being shipped to a store in, say, Alexandria, Louisiana, it’s easier for chain booksellers to just say “no”.

Deduct from the independent bookstores those that are religious (a very sizable chunk) and those that cater to specialized markets like fishing, handicrafts, etc., and you can see that all that would be left would be one or two bookstores in each of the biggest cities – and a few college towns.

Some erotica collections and anthologies do get published in print form and reach those one or two bookstores in each big cities and those few college towns But they are mostly from smaller, independent presses and, sadly, the current economic depression has impacted the small print publishers of erotica heavily, with many going out of business and others cutting back on new releases and even cancelling contracts they had signed for future books.

Clearly if print was the only market for erotica, it wouldn’t be worth discussing the subject at all.

Over on the internet, however, among ebook publishers, sales and the market for erotica are booming.

There are a lot of reasons the market for erotic ebooks is hot right now.

First and foremost is, as noted above, you can’t get them anywhere else.

Equally important is the anonymity of ebooks. They can be purchased over the internet and downloaded immediately to the privacy of your own computer or electronic reading device. No standing in line at a brick and mortar bookstore where a book’s title might be a dead give away of your secret kink to the person behind the counter or a friend you found unexpectedly standing alongside you in the checkout line.

Also erotic ebooks are priced competitively with regular supermarket paperbacks (most erotic ebooks selling for $6-7.99).

There is another reason erotica sells so well in ebook form. People who read, say, an erotic novel, read more than one a month. Females and males, we all know, read erotica to get off. Once they have read an erotic book a couple of times it loses its potency and they need a brand new book to help get them off.
That means there is a near endless demand for new erotic ebooks.

So, for anyone interested in writing erotica, as a career or part-time, the present is a very exciting and rewarding time to enter the field.
It is safe to say that, due entirely to the internet and the rise of ebook publishing, more people are making more money writing erotica than at any previous time in history. And even with all the authors already writing in the field, there is still a greater need for good new writers than ever.

Jean Marie Stine
SizzlerEditions.com

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My name is Sascha Illyvich and with the help of M Christian, Oceania, Jean Marie Stine, Dr. Nicole Peeler and Thomas Roche, we’re going to explore the daunting aspects of erotica in all its forms. This blog will discuss every aspect of writing sexy fiction from what makes a story erotic even if there is little to no sex involved. Writers will come away with writing tips that will benefit their careers. We’ll cover author marketing, what defines a story as erotic, things new writers need to consider and the business angle of writing erotica.

I’ve been writing for almost ten years, starting out with erotica before I made the transition to erotic romance. I’ve written everything from the 100 flasher to the 100,000 word novel and am with two very successful publishers. I have a few stories with other publishers; teach courses on BDSM to romance writers as well as my famous Writing from the Male POV course which has been a success with local RWA chapters. I write full time and host the UnNamed Romance Show on Radio Dentata Mondays at 1 PM PST.

Every week we’ll focus on a different aspect of writing erotica. Our other authors will do own introductions. Some of them have a rather unique way of letting you know who they are! I’ll be covering writing style in general for starters.

Beginning with technique, I’m going to break down what makes a story erotic and how we craft those scenes that leave us squirming in our chairs. Let’s start with the story idea.

We have basic components to every story.

Characters – Who the story is about
Plot – which happens TO the characters
Setting – Where this all takes place
Conflict – Part of the plot that makes the story interesting. This is really the driving force behind the plot.

In ANY given setting we can add erotic elements. Let’s define what makes an element erotic.

Word Web defines erotica as Creative activity (writing or pictures or films etc.) of no literary or artistic value other than to stimulate sexual desire.

This definition is a little harsh. Let’s pair it down a bit.

Erotic: the act of being stimulated sexually through the senses of taste, touch, sight, smell and audio.

With this broader definition, we can now begin to understand that our brain is our largest sex organ truly as what arouses me will differ from what arouses you, but our bodies respond to the stimulation the mind finds erotic.

In a scene, we have setting. With characters, we have actions. With plot, that’s a little more complex.

With the scene, we can utilize descriptions by just giving enough detail to create a picture in the mind of the reader while giving them license to view it their way. Since our stories in any genre don’t rely precisely on location in most cases, then we want to limit our scene descriptions. The mind focuses on what’s right in front of it anyway.

Meaning, the mind focuses on the characters and their interactions. Tell me, do you pay attention to the breeze in summertime OR do you pay attention to the cologne/perfume wafting towards you from the attractive person that caught your eye?

The day may play back in your memory later on when you’re telling your friends but the real question is going to be about the person, not the scene.

Next time we talk, we’ll go into the characterization part. There is a lot to be said about characterization so that will take up a few parts. I leave you waiting for next week’s installment with our next fabulous author!

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