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In regards to the last of erotica’s sins, a well-known publisher of sexually explicit materials put it elegantly and succinctly: “Just don’t fuck anyone to death.” As with the rest of the potentially problematic themes I’ve discussed here, the bottom line is context and execution: you can almost anything if you do it well—and if not well, then don’t bother doing it at all.

Violence can be a very seductive element to add to any genre, let alone erotica, mainly because it’s just about everywhere around us. Face it, we live in a severely screwed up culture: cut someone’s head off and you get an R rating, but give someone head and it’s an X. It’s kind of natural that many people want to use some degree of violence in their erotica, more than likely because they’ve seen more people killed than loved on-screen. But violence, especially over-the-top kind of stuff (i.e. run of the mill for Hollywood), usually doesn’t fly in erotic writing. Part of that is because erotica editors and publishers know that even putting a little violence in an erotic story or anthology concept can open them up to criticism from all kinds of camps: the left, the right, and even folks who’d normally be fence-sitters—and give a distributor a reason not to carry the book.
One of the biggest risks that can happen with including violence in an erotic story is when the violence affects the sex. That sounds weird; especially since I’ve often said that including other factors are essential to a well-written erotic story. The problem is that when violence enters a story and has a direct impact on the sex acts or sexuality of the character, or characters, the story can easily come off as either manipulative or pro-violence. Balancing the repercussions of a violent act on a character is tricky, especially as the primary focus of the story. However, when violence is not central to the sexuality of the characters but can affect them in other ways it becomes less easy to finger point—such as in noir, horror, etc—where the violence is background, mood, plot, or similar without a direct and obvious impact on how the character views sex. That’s not to say it isn’t something to shoot for, but it remains one of the harder tricks to pull off.

Then there’s the issue of severity and gratuitousness. As in depicting the actual sex in sex writing, a little goes a long way: relishing in every little detail of any act can easily push sex, violence, or anything else into the realm of comedy, or at least bad taste. A story that reads like nothing but an excuse to wallow in blood—or other body fluids—can many times be a big turn-off to an editor or publisher. In other words, you don’t want to beat a reader senseless.

But the biggest problem with violence is when it has a direct sexual contact. In other words, rape. Personally, this is a big button-pusher, mainly because I’ve only read one or two stories that handled it … I can’t really say well because there’s nothing good about that reprehensible act, but there have been a few stories I’ve read that treat it with respect, depth, and complexity. The keyword in that is few: for every well-executed story dealing with sexual assault there are dozens and dozens that make me furious, at the very least. I still remember the pro-rape story I had the misfortune to read several years ago. To this day, I keep it in the back of my mind as an example of how awful a story can be.

Sometimes violence can slip into a story as a component of S/M play. You know: a person assaulted by a masked intruder who is really (ta-da!) the person’s partner indulging in a bit of harsh role-play. Aside from being old hat and thoroughly predicable, stories like this can also fall into the “all pain is good pain for a masochist” cliché, unless, as with all things, it’s handled with care and/or flair.

Summing up, there is nothing you cannot write about: even this erotic “sin” or the others I’ve mentioned. However, some subjects are simply problematic in regards to sales potential: themes and activities that are loaded with emotional booby traps have to be carefully handled if the story is going to be seen as anything other than a provocative device. The affective use of these subjects has always been dependant on the writer’s ability to treat them with respect. If you have any doubts about what that might be, just imagine being on the receiving end: extrapolate your feelings as if one of your own personal traumas or sexual issues was used as a cheap story device or plot point in a story. Empathy is always a very important facility for a writer to develop—especially when dealing with sensitive or provocative issues.

In short, if you don’t like being beaten up, then don’t do it to someone else, or if you do, then try and understand how much it hurts and why. Taking a few body blows for your characters might make you a bit black and blue emotionally, but the added dimension and sensitivity it gives can change an erotic sin, something normally just exploitive, to … well, if not a virtue, then at least a story with a respectful sinner as its author.

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Every Author has an idea of what their image should be. Some are so perfect and careful about it, they have no image for the fans to connect with. Others are rebellious and insist on shocking first then wondering what they have so few fans or followers. It’s kind of like that line in the film Bull Durham, where baseball catcher, Crash Davis, comments on the fact that his astoundingly talented minor league pitcher is basically …

“Your shower shoes have fungus on them. You’ll never make it to the bigs with fungus on your shower shoes. Think classy, you’ll be classy. If you win 20 in the show, you can let the fungus grow back and the press’ll think you’re colorful. Until you win 20 in the show, however, it means you are a slob.”

Okay, authors, let’s talk about your image. Please.

No Facebook or Twitter avatars your mother would be embarrassed to see. No pictures of your dog or cat cleaning itself. No photos of you drunk at a club, whooping it up. You’re an author and should be aware of your image. This doesn’t require a professional photo session with an expensive photographer, just a nice picture of you, clean and neat. We don’t need to see you working hard at the computer or appearing overly serious. You can show your personality, smile, enjoy the moment. Just remember, literary agents, publishers, other authors and your prospective book buyers are looking at that avatar. Are you really proud of it?

If you prefer not to use a photo of yourself, your book cover is a good option. No book cover yet? Use an image that represents your book until you have one.

And one final suggestion, please don’t change your avatar picture more than once a year. It’s how your friends and followers recognize you. Don’t confuse us.

No matter what you write or who your audience is … YOU are a professional. You’re an author, be proud of it.

Next time we’ll cover Author Success Tool #7, Marketing.

Feel free to contact me at [email protected] with any questions or to share your success stories! If you’d like to know more, let me know and I’ll put you on the mailing list for online workshops and information about my book, Finding Author Success: Discovering and Uncovering the Hidden Power within you Manuscript, “Finding Author Success” available in print and ebook on Amazon, B&N, Apple and Sony

 

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Publicity is using the media to create relevant exposure for your book

Take a serious look at your book, especially your “hooks” those unique elements that not only make your book stand apart, but identify additional readers for your book beyond genre followers. What in your book or connected to your “hook” might lend itself to publicity or a charity? Connecting with a charity does several wonderful things. It shows you’re a caring author, it supports something you care about, and it connects with your story.

Don’t just randomly choose a charity. If your book has nothing to do with cancer research and none of the characters are cancer survivors, it’s not really productive to connect your book with that charity. If the charity is near and dear to your heart, by all means support it, but don’t connect it to your book, it will look and feel random.

If, on the other hand your story or non-fiction subject does directly connect with a charity, move ahead. Create fundraising events. Donate a portion of your book profits to the charity and make sure they know. Be sure to have the charity logo displayed with an announcement that a portion of your profits support Cancer Research, or The Kidney Foundation, or the ASPCA or whichever charity works.

It’s a kind of giving back that is good for the author’s soul and good for the book buyer’s soul. And, as long as you are doing well, the charity will notify it’s supporters that you are doing this. It just may result in more sales.

Be honest about this, no fake or half efforts. Charitable organizations all over the world are desperate for financial help. It’s a chance for the author to be a hero.

All of this takes place in the world of the media. Press releases and press contacts are a huge part of your publicity, and the charity will benefit from this press as well. Remember the Media Room in your Author Platform website? This is the kind of information that goes in there. If a newspaper does a story about your charity fundraising event, you post that story. If you are interviewed and/or a podcast is created, you post it in your Media Room. News doesn’t just happen, you have to make it happen.

Next time we’ll cover Author Success Tool #6, Your Image.

Feel free to contact me at [email protected] with any questions or to share your success stories! If you’d like to know more, let me know and I’ll put you on the mailing list for online workshops and information about my book, Finding Author Success: Discovering and Uncovering the Marketing Power Within Your Manuscript available November 5 in print and ebook.

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Time for some serious research.  What other authors write in your genres? Where can one buy their book? Are you e-published? Who else is e-published and successful? What are some of the best promotions or marketing efforts you’ve seen for a book? Do book videos work for your genre? Do you understand how the most successful authors manage their careers?

I’m sure you can come up with a hundred more questions about your market as well. It’s vital to ask the questions, explore what other authors are doing, what works and doesn’t work and how far “wide” or “deep” they go with their marketing strategies.

Don’t just look at the publishing industry either. Look around. Everything you buy is being marketed and promoted. What kind of promotions make an impact for you? Can that approach work for your book?

Next, where is your market? If you’re e-publishing, your buyer is most likely on the computer. Exploration for ways to reach them goes further than simply using your platforms, you have to reach them at their platforms. Remember when you read an interesting blog, respond to it. Comment. Become known to the author and they will frequent your blog too. (If one of your “hooks” is dog lovers, you need to connect with dog lovers online. They have blogs. You can respond because you like dogs. After all, there’s a dog lover in your book.) Use all the promotional options open for authors; blog tours, interviews, book reviews.

If you’re both traditionally published and e-published, never forget to find your prospective buyer through your “hooks”. If you don’t know who will want your book, how can you talk to them?

Next time we’ll cover Author Success Tool #5, Publicity.

AUTHOR BIO

Deborah Riley-Magnus is an author and an Author Success Coach. She has a twenty-seven year professional background in marketing, advertising and public relations as a writer for print, television and radio. She writes fiction in several genres as well as non-fiction.

Deborah produces several pieces weekly for various websites and blogs. She also writes an author industry blog, http://rileymagnus.wordpress.com/ and teaches online and live workshops as The Author Success Coach. She belongs to several writing and professional organizations. Her book, Finding Author Success: Discovering and Uncovering the Marketing Power within Your Manuscript is scheduled to be released in October, 2011.

She’s lived on both the east and west coast of the United States and has traveled the country widely.

 

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Yes, platforms. Plural. If a politician stands on only one platform, he reaches only one set of ears. The same goes for an author. Your job is to reach as many sets of ears as possible, to reach them quickly, efficiently and with as little difficulty as possible.

What are your platforms?

Author Website (or blog) – This website (or blog) is specifically designed to promote you, the author. It will feature you, your books, your future projects and plans. It will offer insight to your future books and tell viewers what you’re up to. This site will have a specific area for a Media Room where you’ll list announcements about your various speaking and book events, upcoming interviews and links to videos or audio interviews you’ve already given. The Media Room will show all the press releases, have a downloadable bio and photo of the author, and contact information for the media. If your book is e-published, you will use this website in a big way, creating as many avenues to promote all your work as you can, and connect with as many online readers as possible. E-published or traditionally published, your author website address should appear on your Twitter and Facebook profiles, email signatures, everywhere you can post it. This web presence is about all the author’s work, published articles, short stories, all the books no matter genre and what the author’s plans are for future books and all the news about his/her work.

Book Website – This website is very different. A Book Website is specifically designed to promote, market and expose a specific book or genre of books. For example, if you write romance, all of your romance (and sub-genre romance) books would have a showcase on your Romance Book Website. BUT, if you also write non-fiction about aviation, that would require a completely different book website. Why? Simple – these are two very different readers and a prospective book buyer will not explore a romance website for a book about landing gear, anymore than a reader wanting romance cares to explore a website about pilot qualifications. These two book websites should treat their specific audience differently and never cross reference to each other.  IMPORTANT NOTE: an announcement about a book signing for your romance series would certainly be announced on your Author Website AND your Romance Book Website, but NOT on the Aviation Website. Also, an announcement about your speaking engagement to an aviation organization will appear on your Author Website AND your Aviation Book Website, but NOT on your Romance Website. Always respect and focus on the primary viewer of that particular website.

Author Expertise Blog – This can be as simple as an ongoing exploration of the research you did to write your book or are doing to write your next book. It can explore politics in your story and even talk about choices you made for the story.  You can talk about character exploration and development, how you plot your books and where your ideas come from. You can use this blog to announce information about your promotions, and you can (and should) participate with other authors and guest blog on their blogs, announce their events on your blog and/or do interviews and reviews of your author friend’s books. It’s always wise to embed your author blog into your Author Platform website.

Character Blog – Not necessary but oh so much fun! This is a playful way of exploring your character/reader relationship dynamic. If your character is a curmudgeon and you develop a blog by him where he states his point of view and banters with the readers when they respond, you’ve made inroads into building loyalty and interest in the book. Obviously this doesn’t work so well for non-fiction, unless you get very creative and invent a fictitious expert to state his feelings on the book. You’d be surprised how many readers respond to this approach and get involved with comments. If you’re e-published, this Character blog approach is super effective. Remember, an e-published book must reach e-readers, screen readers, and those fascinated with all things techie. Have fun with this, create impact and take your cues from the responses you get.

Twitter –Yes, you must Twitter. Create an account and build your followers carefully from a pool of possible book buyers, future fans, fellow authors, publishers, editors and agents. You will be amazed how much you can learn about the industry in your Twitter stream. Be active but be careful. Don’t let it take you over. A good rule of thumb is to use Twitter at least twice a day for about 10-15 minutes each time. Interact, eavesdrop and comment on other follower’s tweets, promote your blog and website updates, and always respond when someone talks to you. Efficient and effective tweeting is a learned skill and you’ll soon discover that when done right, followers think you’re there all the time and full of fun and valuable information even though you only tweet during a few breaks a day. I suggest you use the TweetDeck as it helps you organize several streams of targets to follow, but you can do it any way that works best for you.

Facebook – There are several ways to use Facebook and I strongly suggest you Facebook every day. Not only are there different people on Facebook than Twitter, but they communicate differently. Without the Twitter limitation of 140 characters to make a point, Facebook creates several venues of communications. Everything from your current status and direct messaging, tagging and inviting friends to join events or joining groups targeted to your book are all there. Facebook every day with something interactive in your status. Build friends by reaching out and asking for friends but be careful what kind of friends you make. If you want to talk about the subject of your book which is about murder investigation techniques, you should have very few baker friends or friends who love scrap booking. Be sensible and be targeted with all your efforts. A downfall at Facebook can be the numerous social games and game forums. Choose how you want to spend your Facebook time, be practical and efficient because as writers and authors, we really need to protect our writing time. Do NOT mix your personal Facebook activities with your book Facebook activities. In other words, keep those accounts separate.

Email – Email lists. We have them, several of them in fact. We build them almost daily but what we seldom do is categorize them to make them easy to use. Create a group list for people you know who would love your book, love to read your blog updates, love to know what’s happening with your book or love to hear about your next project. It’s likely that if you explore the massive contact list your already have, you can find many people to fall under this group category. Create the group and voila, you’ve made one more contact to take one more person to your blog or your Book Website Media Page or invite to your book launch party. You’ve created one more venue for helping your author friends promote their books when you announce you’ve done a blog tour interview for them, and you’ve opened an opportunity for the receivers of your emails to pass them further to their friends and followers interested in your genre. Email. Right there under our nose. I’m sure if you think about it, you can find several ways to create email lists and use them to streamline promotional and marketing strategies.

Online Groups/Organizations – You can find them on Linkedin, Facebook, Twitter, Yahoo Groups, anywhere! These groups can work as support for your writing efforts, or serve as association groups to promote your book. It takes a bit to find them and decide how they’ll work for you, but this is worth the effort. Be a joiner but don’t overdo it. Remember, participate only in the groups that not only are interesting to you, but serve your efforts as well. If you do join, really make an effort to participate. Get into the discussions, especially if this is an interest group that pertains to your book plot or non-fiction subject. Never imagine that simply joining anything – a group, Twitter, Facebook, Linkedin, Yahoo private groups and/or organizations – means automatic sales. It simply means that you’ve opened your possible audience. You’re doing it in a protected environment and many groups will slap your wrist if all you do is promote, promote, promote. You need to seriously participate in the groups, give and get support and that’s what turns into book sales.

Live Networking – With all the online and internet hubbub, we often forget our real life, living, breathing network. Your family, work friends, church. Your dentist, vet, eye doctor. The health club, the woman who cuts your hair or the masseuse you use. Don’t forget about where your kids go to school, where you shop for groceries and where you get your lottery tickets. These are breathing people who know you already. These are people who like you. Most people know few authors and are thrilled to know one. They become excited walking, talking advertisements for your book. Don’t leave this vital network out of your loop, whether you write fiction or non-fiction, are traditionally published or e-published, remember to toot your horn to everyone you know.

Next time we’ll cover Author Success Tool #4, Understand your Market.

AUTHOR BIO

Deborah Riley-Magnus is an author and an Author Success Coach. She has a twenty-seven year professional background in marketing, advertising and public relations as a writer for print, television and radio. She writes fiction in several genres as well as non-fiction.

Deborah produces several pieces weekly for various websites and blogs. She also writes an author industry blog, http://rileymagnus.wordpress.com/ and teaches online and live workshops as The Author Success Coach. She belongs to several writing and professional organizations. Her book, The Author Success Coach: Strategies for Author Success in a Turbulent Publishing Landscape is scheduled to be released in August, 2011.

She’s lived on both the east and west coast of the United States and has traveled the country widely.

 

 

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by Deborah Riley-Magnus

What makes you so special? What makes your book so special? We’ve all taken a stroll through those huge book stores and gotten that shiver of terror. Even if you’re already published and about to launch your second or tenth book, that fear trickles in and without warning you start to wonder. Who is going to buy my book when they’re bombarded with all these other books? Yes, you’re writing is wonderful and your story kicks butt, but one twirl around and you see thousands of other author’s offerings and can’t help but feel the pressure. Book store or online, it’s the same.

Relax. The solution is so simple it might shock you. The most important things you need to know to make your book stand out are not in marketing books or genre statistics. They’re not in publicity strategies or media hype. The most important elements to make you and your book stand apart are right inside your manuscript.

Your all important “hooks” are in your characters, your plot and your style. In other words, you created all the solutions you need to market, promote and publicize your book when you wrote the book.

What makes your book so special is what made your publisher sit up and take notice. For example …

  • Location. Where does your book take place? Can you build, develop and implement entire promotions around that location?
  • Character. Is there something special about your characters? Are they werewolves? Historic sailors? Contemporary businessmen? Members of a club or organization that drives the story? Is there something special about your main character? Do they have a silly saying they repeat? Wear two different size shoes? Love cats? Enjoy root beer floats? Go deep, identify what makes your characters special and consider how that element might create a powerful “hook” that resonates with a prospective book buyer.
  • Association. If your main character is a gardener, are gardening clubs a good target? If he/she loves animals, are animal rescue groups a good readership target? Does your character connect with any large group of any profession or interest? Are these possible fans? Always consider association, it can open big doors for target marketing
  • Plot. Is your book an adventure about whales or space travel or 2012 and the end of time? Is your book a romance that involves people from different backgrounds? Is it a fantasy about supernatural characters struggling to remain hidden in the human world? Here are the facts about finding your “hooks” – they can be in any and every part of your book, they’re implanted inside your story and they are ready to be effective.

The power of identifying all your possible Hooks is that you can then find more target markets for your book. Automatically, readers of a specific genre will take a look and possibly buy the book. The trick to success is to go further and dig deeper.

Next time we’ll cover Author Success Tool #3, Build Your Platform.

Deborah Riley-Magnus

The Author Success Coach

AUTHOR BIO

Deborah Riley-Magnus is an author and an Author Success Coach. She has a twenty-seven year professional background in marketing, advertising and public relations as a writer for print, television and radio. She writes fiction in several genres and non-fiction. Deborah produces several pieces weekly for various websites and blogs. She also writes an author industry blog, http://rileymagnus.wordpress.com/ and teaches online and live workshops as The Author Success Coach. She belongs to several writing and professional organizations. Her book, The Author Success Coach: Strategies for Author Success in a Turbulent Publishing Landscape is scheduled to be released in August, 2011. She’s lived on both the east and west coast of the United States and has traveled the country widely.

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Whether this is your first book or twentieth, the publishing industry has changed and the lion’s share of the marketing, promotion and publicity pushes are now up to you. It’s time to get down to business.

Remember when we talked about a Book Business Plan? Well now we’re going go a little further and show you the ways to gain real success with ten of the most powerful elements of that Book Business Plan.

Yes you’re a writer, an author, a creative problem solver for your plot and characters and boy you are good at it. So now you’re faced with the challenge of plotting your own success as an author but there’s no need to be afraid. Whether you gauge your success in the amount of money you make, the fact that your book is on a bookstore shelf, the best selling in its genre or simply the best selling e-book of the month, it’s important to you.

None of it will happen without at least trying these Ten Tools for Author Success. I’m going to cover these vital tools right here, one tool at a time. Here’s what we’ll cover in this and my following entries.

Ten Tools for Author Success

  • Tool 1, Have a Plan
  • Tool 2, Find Your Unique Hooks
  • Tool 3, Build Your Platforms
  • Tool 4, Understand Your Market
  • Tool 5, Publicity
  • Tool 6, Your Image
  • Tool 7, Marketing
  • Tool 8, Promotion
  • Tool 9, Resources Required
  • Tool 10, Follow up

TOOL 1 – HAVE A PLAN

What are your goals? If this is your first book, what are your publisher’s expectations? How do you propose to let the world know you have a book coming out and how do you intend to approach your market? In other words … what’s your plan?

In order to create a competitive plan, you need competitive strategies. You can start by looking to your publisher. Ask them what they expect from your book. Which of their books, genres and authors are most successful and why?

Now, knowing what expectations your publisher has, you can multiply that and set a sales goal you’ll be proud of. Within your goals should be the following categories:

  • Pre-launch exposure
    • How many pre-orders or readers do you want on a waiting list for your book? This will determine how active your pre-launch marketing and publicity will need to be.
  • First three months sales
    • Research the market, know standard sales numbers for your genre and make it BIGGER. A book’s success or failure is based on its first quarter sales, don’t sell yourself short. Set high goals and push for them.
  • Responses to your platform elements
    • You’ll see later in Tool #3 that you’ll have many platforms from which to shout about your book. Decide now how active you want the response rate to be on those platforms. This way you’ll have viewing and response goals to reach. Of course, responses can only be made to a statement and you are the only one to make the statements, so knowing how active you want your prospective readers to be, pretty much determines how proactive you are going to need to be within your platforms.
  • Demand for the next book
    • Effective platforms and promotional efforts can create demand for more books from an author. Is this something you want? If so, add it to your goals list.
  • 5 year sales goals
    • Look at your author career – where do you want to be in five years? Does writing A LOT fit into that image? Do you want to use revenue earned from your books to improve your life? The sad truth is that most authors simply can’t live on what they earn as writers, but with a plan, strategies and goals that are clear, you can create an income to substantially add to your dreams and lifestyle. It doesn’t just happen. It must be set as a goal and made part of the plan.
  • Number of successful books in 10 years
    • Seriously think about this. Some writers see themselves as the author of one or two books, the creator of a mega success that rocks the world and then they can retire. There is a difference between fantasy, goals and strategic plans. Building a career demands you identify that career. If you want a booming writing career over 10 years, you may need to plan seven to ten books, several articles and short pieces published in collections, compilations or publications, speaking engagements, possibly writing in several genres or even adding non-fiction to your mix. This is a “going wide” strategy instead of a “going deep strategy” that limits the writer to a single genre or non-fiction subject. There are several industry theories on both approaches to building an author career, but the most important opinion is yours. You’ll be living the career and doing the work.

Remember, you’re not just an author; you’re an author building a career. Once your goals are set, it’s easy to take the following tools and put a strong, effective plan in play!

Next time, I’ll be covering Tool #2, Finding Your Unique Hooks to create powerful marketing strategies.

See you then … because, after all, what’s more erotic than a SUCCESSFUL AUTHOR?

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And the gods of publishing spoke.

The earth rumbled and the lightening struck. All the peoples of the writing land quivered with fear and aw. And the gods said …

“Stand all ye writers and be counted! I say unto thee one and all, those of the laptop and those of the desktop, those sparrows of the tiny Twitter and lurkers of the massive writers conferences, teachers and students of the word and mid-list authors everywhere I say unto you all … PROMOTE THYSELF!”

And when the word comes down what do we all do? We panic, we pull out our hair and tear our clothes and we whine. There’s nothing like a good whine, I always say. But soon enough, we’ve all had enough whine.

Like a garden of beautiful blossoms, fantastic advice has popped up everywhere to guide us. Magnificent, excellent advice. It abounds and the sea is swollen with suggestions for website designs, blogging opportunities, platform planks (and the nails to hold it all together). What non-fiction writers and self-published authors have known all along is suddenly the law of reality for all.

PROMOTE THYSELF!

But, try real hard not to get lost in the raging pulse of great advice. Don’t drown. Take it little bits at a time; there are a million ways to cook a chicken. The key to a perfectly roasted bird is the same as the path to a perfectly executed promotional plan … patience, clarity, understanding the tools and using them well. Winging it just won’t work.

Don’t go off half-cocked (oh, another poultry pun) and blanket the world with unfocused press releases or emails to spam your (soon to be no longer) friends to death. Don’t sweat over seeking ill-defined speaking engagements or stapling posters on every telephone phone pole in sight. Your face with the scrawled words, “Have you seen this writer? He/She is starving! Please buy his/her book!” won’t actually do it.

PROMOTE THYSELF!

Do it carefully and unfortunately, in order to do it at all, you must first (yes, here it comes) … KNOW THYSELF … and (uh-huh) TO THINE OWN SELF BE TRUE.

Know yourself, know your skills, know your abilities and know your limitations. If you don’t have the time or energy to run all over asking if you can sign books at all the tri-state B&N locations, think about hiring an assistant to help make all the arrangements. If you can’t figure out how to reach every newspaper in the northeast, hire a company that does the press release flight for you. If you can’t figure out where to start, hire a publicist. If you can’t afford a publicist, there are a hundred books, classes, clubs and organizations to show you how to proceed. Being a writer is a business, and few businesses are successful just because they opened their doors.

PROMOTE THYSELF.

If you’re not published yet, make your presence known. Who knows, the gods of publishing may reach down and touch you. Then where will you be? Unprepared, that’s where. Put together your business plan right now. Outline what makes you … the author … as valuable a product as the wonderful book you’ve written.

PROMOTE THYSELF

KNOW THYSELF

TO THINE OWN SELF BE TRUE

Now, I need to go baste the chicken.

More from the Author Success Coach?

And the Publicists Says … “Breathe”

Authors Write. Successful Authors Write a Book Business Plan

PARADIGM WARRIORS

Author Success Coach

Publicity  Marketing  Promotions

[email protected]

I blog – http://rileymagnus.wordpress.com/
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