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Last time I blogged here at WriteSEX, I had a number of lovely responses. Kate T asked if I’d blog about euphemisms, and that will be my next blog, for sure. But right now I thought I’d dive into Vague’s question, which Vague boiled down to, “what is your priority when writing: plot, character, or sex?”

My first instinct when I saw this question was to answer that, in terms of mainstream publishing, the author’s priority must be plot and character over sex. And yet, even as I typed that response, I thought about a number of characters (published as urban fantasy) for whom sex and character and sex and plot are so entirely inextricable as to complicate such a knee-jerk response.

A second problem with my initial response is that it sounds a bit like the Hollywood actress who insists she will only show her ladybits in order to “enhance a character.” On the one hand, this excuse is just that: an excuse. As such, it suggests that sex and sexuality deserve, or necessitate, an excuse. It implies we need to apologize for or defend our naked bodies. On the other hand, this excuse also implies that there’s a universal scale for determining “character” and its “enhancement.” I respect Halle Berry as an actress, but after all the fuss she made over showing her tchochkees, Swordfish didn’t strike me as the most impressive of vehicles.

Another problem with my initial response is that it cuts out my own role as the author of my characters. As a literary academic, I mostly agree with New Criticism’s Reader Response theory, which states that all we have, as readers, is the text in front of us. We should never attempt to “read” a text in terms of what we know about its author’s biography.

As an author, however, I know damned well that I made a lot of choices that boil down to what I wanted to write about. And I wanted to write about sex. I like to read about sex, I like to have sex, I like to talk about sex, and I think that my whole hedonistic philosophy about the importance of healthy, healthful sex in our lives helps define who I am, as a person. I like to think of myself as a short, zaftig D. H. Lawrence of urban fantasy, but without the obsessive need to use the word “loins.” Or “inchoate.” Or “inchoate loins.”

Anyway, my point is that I–Me! Nicole Peeler! That author you’re not supposed to notice!–wanted Jane to have healthy sex, and by that I mean sex that was unapologetic and frolicsome, but also safe and completely consensual. Jane thinks about her health–both physical and emotional–before she indulges, but when she does indulge, she’s unrepentant. After all, she’s a woman grown who knows what she wants.

And that’s what we do, as authors. We make choices. But these choices then have to make sense, which means we have to make them make sense. Jane lives in a tiny community in Maine. Why would she end up such a sexual savante? That question was easily answered by her mom’s behavior–sex is in her blood; the pursuit of sex has been her example. It also helped me flesh out Jason’s grandparents. I made them two louche ex-hippies who would be comfortable educating Jane and Jason in healthy sexuality. I also upped the ante with Jason’s character. Without spoiling anything, she has a sort of idealized “Blue Lagoon” upbringing with her childhood best friend and sweetheart. Because of their similar circumstances, they mature together physically, intellectually, emotionally and sexually, and their sexual lives together are as inextricable as their friendship and their maturation process.

To put it another way, I, as the author, had to think through the choices I made and make them seem like inevitabilities rather than personal preferences. I wanted readers to see Jane as being the way Jane is because she’s Jane, not because Nicole Peeler enjoys proselytizing about sex. Jane had to live, and breathe, and appear to make her own choices on the page. So, yes, sex was one of the “ingredients” that went into making Jane True and Tempest Rising. But my job, as the author, was then to balance the rest of the recipe so it worked, as a whole.

So was my choice and its execution effective? It was certainly a risk: some people don’t like reading sex in their UF (and have told me so) and others don’t like reading non-Romance sex. In other words, they don’t like that Jane is attracted to Ryu but not “in love” with Ryu (and have told me so). While I’m sad these readers don’t see joy in Jane’s sexuality, I do not control people’s preferences, so these critiques are easy for me to dismiss. Not least because of probably one of the best series of comments I’ve received on Jane, from a reader in Alaska. I was very happy to hear from this reader how she’d enjoyed Tempest Rising. But when she told me how she gave my book to her sixteen-year-old daughter because she thought Jane’s sexuality set a good example for young women, I was floored. I’m not ashamed to admit it: I totally burst into tears.

In conclusion, it will be your choice whether you write sex and how you make that sex natural to your plot and character. Authors are puppeteers. If we decide we want our puppet to bow, we must figure out how to move our fingers in order to make him do so. Unlike puppeteers, however, we have to do so without revealing the strings that attach us to our creations. Our choices must be “invisible,” camouflaged by layers of character, plot, tone, syntax, setting, and all of the other elements that make mere choices into entire worlds. The choice to use sex must be considered, and it will have repercussions for your writing and for your audience. But what a layer of complexity sex brings: so much nuance, action, subconscious and conscious desires, a wellspring of fantasy to tap into, and a kind of tension that can’t be matched, I don’t think, in any other type of interaction or expression.

So why not sex up our dossiers? I’m glad that I did. And I think Jane is glad, too. ;-)

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In many ways, I’m the odd (wo)man out here at WriteSex. After all, I don’t write erotica or even romance. I write the Jane True series: mainstream, mass market urban fantasy for Orbit Books, a publisher famous for its Sci Fi/Fantasy rather than its sizzle. Here’s what I write:

So why am I here?

One reason is that, while I don’t write romance, I do write sex. Urban fantasy is a fantastic genre in that it’s like a pick and mix: authors of urban fantasy get to cobble together whatever elements of fiction they like, as long as somewhere, somehow, they have some mixture of the “real” world and some element of the supernatural, paranormal, or magical.

When I started putting together my world, my version of UF, I knew that one of the elements I was definitely going to utlilize was sex. Not romance, per se, but I knew I was definitely going to have sex. The reason being, quite frankly, that I think sex is important. And not merely because I’m a lascivious little wench; it’s also because of my philosophies regarding sex.

Before you roll your eyes, let me assure you that, when I say “philosophies,” I mean philosophies. For one of the other reasons I was asked to participate in WriteSex is that I am a Ph.D. in English literature, whose academic background includes the conjunction of sex and power in contemporary British and American fiction.

As any literary theorist can tell you, sex has never been just about pleasure: not in life, and certainly not in fiction. Humans have sex for so many varied, complicated reasons, most of which we can never understand, nor even know exist.

That said, as thinkers such as Freud, Lawrence, and Nietzsche understood, we reveal so much about ourselves in the ways that we conduct ourselves, sexually; how we communicate about sex; and how we think about sex.

So when I sat down to write my first book, it was important for me to write about my protagonist’s sexuality because my whole book is rooted in her character. Of course plot is important, but Tempest Rising is as much character study as anything else. I couldn’t bring Jane to life without including her unique view of sex and sexuality.

And yet, as I’ve said, this book was published to be shelved, as it says on the spine, in either Fantasy or Horror, not in Romance. So, when it came to writing about sex, I had to make a lot of interesting choices, and defend those choices to myself and others, along the way.

These issues, and why I make the choices I make when writing sex for mainstream publication, are what I’m going to be talking about in my future blog posts for WriteSex. I’ll talk about such topics as how much is too much (learned that one the hard way); why none is too little for me, personally; building, or reducing, character through depicting sexuality; and there will definitely be something on the Dreaded Euphemism: or, “When a Lotus Blossom Should Remain Just a Lotus Blossom.”

Sound good? Let me know if there are other issues you’d like me to address and don’t be shy. I am here for you. ;-)

Nicole Peeler

http://nicolepeeler.com

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